Gérard WILLEMENOT
( born in 1931 at Paris )
Its childhood and its years of architecture will make it a maladjusted chronicle that hardly likes its period. Then for lack of to remake the world, it is going to paint it, to its manner perhaps timeless offsetted enough. It is necessary to remind that since almost a century, the paint (that whose one speaks) is entirely fallen under the cup of the speech intello-médiatique and that it is not rare to see a critic to art write eight pages concerning a titled virgin cloth « without title n°12 » or just a chiure of fly («opus 3 »). This intellectual masturbation has for a long time gummed all values tell ancient and decadent : composition, trade, creativity, etc. to devote only what is modern, new. The modernity is inevitably bien... a « merde » of artist is beautiful! it is all the more beautiful If it is the last, that the Day! yesterday, it in has not made, it was constipated.
Technique and thematic
The paint of Willemenot is simple, it concerns told paint « to the Tempera » (that it manufactures himself), technique in the process disappearance. You add an immoderate love for the Middle - Age and Its mysticism ; to sweet fire, you mix with two hundred fantastic literature grams having haunted your youth (typical LOVECRAFT). Add a pinch of B.D. brilliant. Finally, you serve with a lot humor around, a blade of love for the humanity and, alas, the always present death around the dish.This paint asks badly work. To you oblige there, obtain - you a woman that you will like, children (that you will make yourself preference) and a collector of quality (one finds some a bit everywhere of very good).This offsetted paint or out of the time meets a certain success notably beside Anglo-Saxons and medical professions that suspect the artist, under the shelter of a real imagination, some disturbances, perhaps usage of products forbidden. Works of G. Willemenot are presented a bit
everywhere in the world and its immediate surroundings, as well as in
some galleries in France.
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